Marc Minkowski, Anne Kauppi, a four-hour vocal marathon – this is Helsinki after all!

Sunday, March 21st, 2010

This year I have already attended so many concerts as I never attended before when I was living in Tampere or on Long Island in the US. One reason is that the music played here is indeed world-class, for example Marc Minkowski is a famous French conductor, Anne Kauppi is one of the best Finnish pianists and is possible one of the best in the world. Most concerts are priced very cheaply at 10 Euros, there are free concerts as well.

French composers is a new trend in Helsinki musical life. Marcel Dupre and Gabriel Faure are the names to watch.

I have noticed that French composers are very popular these days. It is a new trend I guess. While I was educated in music school in Russia we have been listening to Bach and Mozart, that is mostly German composers as well as of course lots of Russian music of Tchaikovsky, etc. but I don’t remember any French composers. Therefore, this year I have discovered Marcel Dupre, Gabriel Faure, and we can think of Frederick Chopin as a composer of French ancestry. Their music is not inferior to that of major classical composers, but it is very different. We definitely need to take a closer look at the French composers.

Marc Minkowski was a guest conductor at a YLE Radio Symphony Orchestra. The venue was the Stone Church. Quite traditionally, the churches are used as concert halls in Finland. It is interesting that this concert was sold out! Fortunately, I got my ticket one week in advance. Apparently, concerts on Friday nights are very popular. The concert included three parts. First, Symphoni #3 of Schubert was performed. Then after a short break Requiem of Gabriel Faure followed. It is an amazing piece of music. Traditionally, a requiem is performed when someone dies. Therefore, it should convey sadness. But this requiem is very different. It has quite optimistic tunes which are attributed to human’s acceptance into the Paradise. In the final part of the concert a trio of Mendelssohn was performed. A trio for piano, violin, and cello is a type of composition that keeps me thinking for a long time. Earlier I listened to a piano trio of Tchaikovsky thus now I think that trio is a major composition form on par with symphony or concert. But it is neither one of them. A concert is a competition between a solo instrument and the orchestra. A symphony involves too many parties. In terms of the meaning that a symphony conveys it is often related to a large-scale event or the destiny of the whole nation, something global. It might seem surprising that I attribute verbal description to any piece of music but as Picasso once said there is no abstract art. A painter has always an idea in mind and his/her abstract painting is the result of expressing the idea in this particular way. Therefore, a musical trio also conveys an idea and we can compare it to a certain type of painting. To me a trio is a conversation happening within a close group of friends who know each other very well. They might discuss various happenings in their life, the present and past. The only question is why is this worth depicting? I don’t remember who was saying that but the idea is that only great events constitute the true art, they convey a message to the next generations. What is that message in a afternoon-tea conversation of three people? Answering to that question would reveal the meaning behind a musical trio, it will make its art value measurable. But I still don’t understand what is the position of a trio among various composition forms such as symphonies, concerts, etc. This question is intriguing me a lot.

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Another interesting event was Kirkko soikoon, a festival of church music which included classical music as well. It continued the whole week and included tens of concerts. During this festival I have bought a few CDs displayed above. Here is a brief description of the concerts that I have attended:

  • Jan Lehtola performed Marcel Dupre in Kallio Church. There were two parts in his concert. Le chemin de la croix op. 29 was performed in the first one, Symphony for organ #1 “Passion” was performed after that.
  • The next concert was in Helsinki Cathedral Crypt – a small hall that did not have even a stage. The grand piano was located very near the audience. It was very interesting to watch Anne Kauppi playing as I was sitting in one of the first rows very closely. This year people mark the 200-year anniversary of Frederick Chopin. A number of his etudes and ballades were performed. Gorgeous concert!
  • On Friday there was another amazing concert – a 4-hour vocal marathon in the Old Church! The singers were signing along with organ or piano. Helsinki has lots of very nice voices!
  • During weekend I went to Mikael Agricola Church located near my house. An youth ensemble called Higher Ground Band was performing there. I was surprised to see lots of families with children attending this concert. Typically, the audience of church concerts includes very few youth which I think marks the generation gap in the society. These energetic young people bridge the gap between younger and older, as well as between different religions. Traditionally, singing modernized songs is attributed to Baptist church. Finnish people belong mostly to the Lutheran church but they still attend Baptist concerts and sing along with them. The audience was raving, it was such a great concert! Below is a video, it is quite long. Watch it till the end to see how exciting the concert was!

How to understand Dostoevsky: a short guide for the actors of Espoo Theater

Tuesday, December 1st, 2009

After watching the performance of Idiot in Espoo theater and concluding that actors do not understand the great Russian writer Dostoevsky I decided to try to explain how I understand Dostoevsky myself. To start with, I think that Espoo theater has done a great job because they at least tried to interpret Dostoevsky even though I think that their interpretation was not correct. With the following explanation I would only like to deepen their interest in studying our culture and Dostoevsky in particular. Basically, they need to read other works that Dostoevsky has written even though they are probably not translated into Finnish.

Dostoevsky is one of the most controversial writers in Russian literature. The following saying of Annensky characterizes him:

Read Dostoevsky. Love Dostoevsky if you can, if you cannot – curse him, but READ and only him if possible.

I got to know Dostoevsky not through his books but through a movie Idiot by Bortko which I saw in 2004 or 2005. At that time my interpretation of Idiot was also limited to the relationship between Myshkin and Nastasya Filipovna. Such a love story with a tragic end. But after reading other works of Dostoevsky, in particular his diary I think there is a deeper interpretation of Idiot.

Dostoevsky saw a deep division between noble Russians and ordinary people. These were opposite classes of our society in the end of 19th century. They were not able to tolerate each other, thus Dostoevsky was predicting revolution long before it happened in 1917. Of course, he blamed noble people for their betrayal of traditional Russian values in favor of modern European values. This has occurred because in the 19th century it became obvious that Russia was far behind Europe in its industrial development. Noble Russians did not want to identify themselves as such because Russian became a synonym of barbarian.

But Dostoevsky was saying that traditional Russian values were good. Those were the values of kindness, love to every human, Christianity. According to Dostoevsky, only ordinary Russian people possessed those qualities because educated Russians were trying to follow Europeans in every aspect of life and despised everything that looked like Russian.

The main point of Dostoevsky Idiot is that there were noble Russians who also admired traditional Russian values which in this case is Prince Myshkin. This is very unusual and controversial, this is why nobody likes him. If you read the complete version of Idiot, not the abbreviated one that was sold in the theater before the performance you will see lots of Idiot’s monologues in which he shares his values. With relation to people he says that everybody is worth forgiveness. During the performance Idiot often talks to Jesus Christ. But Dostoevsky did not mean that. Idiot doesn’t admire Jesus, he probably does not know all this theological stuff because he is an idiot. But he admires every ordinary human, a fallen woman for example, every sinner. He is the bearer of Christian values even though he cannot explain this.

The actor who plays Prince Myshkin should show that he represents Jesus during this performance. He should convey this message to the audience but do not show the image of Christ! Make the audience think of Idiot’s role in this drama. This actor will succeed only if the audience becomes convinced that he is Christ.

With relation to Europe Prince Myshkin says that Russia will surprise Europe. But not with aggression which there was a lot in this performance, but again with love to every human. He thinks of Russia as a more Christian country than Europe. Russian people who have adopted European views do not have those good qualities such as mercy and ability to forgive.

To summarize, the Epanchin family is visually very respectable. They are Europeans in the best sense of this word, very noble people. They would not shout at each other as they did during this performance. They do not drink vodka or smoke. They are very polite. But they despise traditional Russian values. And here comes Idiot, the true bearer of traditional Russian values and Christian values. He brings the joy with him, the universal love to human beings. He is ready to forgive everybody despite that he is a Prince. He behaves like ordinary people – he is joyful and sincere. And this is why Epanchin family hates him. He reminds them of traditional Russian life that they have betrayed.